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Book - Peggy Rubin Skip to content


To Be and How to Be:
Transforming Your Life Through Sacred Theatre

Available now at local booksellers and Available in paperback and as an E-book.

Order a signed copy especially for you or a loved one from Peggy Rubin by emailing Peggy Rubin.

Download PDF Press Kit here.

How the Book Came to Be

This book is the result of 20 years of workshops, training people to experience and re-create their lives as vibrant sacred plays. It is thus a training manual in passionate caring about your life, commitment to your life and joy in your life. It provides a fresh viewpoint, combining interest in the theatre with a dedication to the process of generating creativity and aliveness.

In every chapter the theatrical element explores its relevance to one’s individual life and creativity, and the use of some of the world’s most powerful dramatic literature also provides guidance and informative insights into the Nine Powers.

Who’s it for?

This book is designed for anyone willing to become a star in their own great play. And for people willing to reframe the way they see their lives.

What it will do for you

The effect of the book is an awakening of excitement, passion, commitment, and creativity. For the committed reader it will reveal itself as a learning manual for thinking in new ways, on many different levels simultaneously and consciously.

How this Work in Sacred Theatre Came to Be

“The idea of working with life as sacred theatre began in 1987. I was in the process of leaving my career at the Oregon Shakespeare Festival – after fourteen years as director of public relations and education, and as an actor – to become the working associate of Jean Houston, the multi-talented great soul who is one of the pioneers of the human potential movement. Jean announced over the phone one morning that our first working trip to Europe included participating in a conference given in The Netherlands on Sacred Matter. And, she added casually, ‘I’ve signed you up for a presentation on Sacred Theatre.’

“Having enjoyed wise teachers in theatre history during my studies at the University of Texas, and having always loved to track things back to their origins, I thought I could remember enough to talk reasonably well about how the theatre was once held sacred, how its origins resided in the sacred heart of the human community. I could even extrapolate how every person entering the theatre today, whether from behind the scenes as an actor or stagehand, or from the front of house with the audience, wishes to have a spectacular and holy experience, confronting gods or demons or both, and feel him/herself so caught up in the performance that the world breaks apart and reassembles ‘more beautiful than before.’

“But past history and present-day hopes weren’t enough for Jean or for the conference. She and the participants wanted to know: How is theatre part of the sacred matter of the universe? How is it that theatre provides a metaphor for life on earth? Can it also provide a way to frame or re-frame human experience in useful, intelligible, enjoyable ways? Can theatre be seen, not only as a communal dancing ground (as I believe it began) but also as a space for re-imagining our lives?

“So I began to wonder: Can the characteristics and containers of theatre as an art form be used in ways which also serve human creativity? Human awareness of the sacred? Human happiness? Even for humans not directly involved in theatre itself?

“Consulting with friends and colleagues, I began to devise a list of elements that comprise the essence of traditional theatre. I called them ‘Powers.’

“For the presentation in The Netherlands, I named each of nine powers, described it in the context of Sacred Matter, and provided a scene or poem to illustrate it. The audience seemed most receptive, especially to a scene that Jean and I performed together to demonstrate the Power of Conflict. I was amused and challenged when a woman from Belgium came up after the session and said, ‘I enjoyed your presentation very much, but I didn’t understand a word of it.’

“The work of the past many years has been to find methods of making the ideas – and the Powers – clear, understandable, and useful. Both as a means of inviting remembrance of the sacred matter of life, and of enhancing the ways that individual humans experience their precious lives.”